As a result, you are granted high-quality images that have strong contrast and more depth in its details.īlack and white photographic films are usually made of three layers. Working with this film type also makes shadows look deeper and accentuates highlights. The lack of color becomes advantageous as it eliminates the distraction of colors and hues, making the viewers focus more on the subject and composition of the photograph. Whether you’re shooting portraits and landscapes, or are into a different kind of genre, making use of a black and white film lets you produce mesmerizing stills effortlessly. Produce Vintage Images with Black and White Filmsīlack and white films allow you to capture your subject in a distinct classical style. Browse our inventory to find the best black and white film that fits your needs. Purchase high-grade black and white films from Adorama today and capture your subjects in superb negative contrast. Black and white film processing and developing is much easier process compared to working with colored film, as the chemicals required to treat its negatives are more readily available. It served as the primary film type until the 1950s and is now popular among photographers who are driven by a vintage aesthetic. If you want gritty grain, well-tested development times for push and pull processing, or the ability to darkroom print from the negative, it would be best to stick with black & white negative film.A black and white film is a type of photographic film that is made to be developed into images without color. If you need b&w film urgently or want to use cheap film to give black & white negatives for scanning, C41 colour films like Kodak Color Plus (ISO200), Agfa Vista 400 or any film from the Fuji Superia range (ISO200 to ISO1600) should be a lower-cost alternative to black & white film, especially if you can get short-dated film over the Internet (short-dated colour film should still be fine for black & white work as any colour shifts over time are irrelevant). ![]() This is excellent for scanning but is likely to be problematic for anyone wanting to darkroom-print onto gelatine-silver paper. The wide tonal range and fine grain characteristics associated with colour print film is retained when processed in black & white chemistry, though only a black & white negative is obtained on the orange film base of the C41 film. Although only one film type has been tested it is reasonable to assume that other C41 films will respond in the same way as they are formulated for standard machine processing. HP5 cropped to show grain structure ConclusionĬ41 colour film can be processed in standard black & white chemicals to good effect. ![]() The cropped images are an identically-sized area (10 x 7mm) of the frame: The black & white film showed normal tonal range (it was a dull day when both films were shot) but more distinctive grain. Inspection of the films under a loupe showed that the colour negative had low contrast and a long tonal scale together with fine grain this is consistent with expectations for standard C41 processing. The levels were adjusted in Photoshop to give a full tonal range on the histogram but no other manipulation. Vuescan was set to auto-expose and give 2 passes for each frame, which I’ve found significantly reduces noise. The films were scanned using the same scanner and software (Epson V750 and Vuescan). Ilford HP5+ was given 6 minutes at 20C in Rodinal diluted 1+25, 1 minute stop bath, 5 minutes fix. The C41 film was given 18 minutes at 20C in Rodinal diluted 1+25, 1 minute stop bath, 5 minutes fix. I used the same development time for the C41 film as the Massive Dev Chart recommends for Ilford XP2 (a C41 b&w negative film), so if you want to use a different developer go ahead! I had some out-of-date 35mm C41 colour print film (Kodak GC-400, a cheap, consumer-level ISO400 film, no longer available) and wondered what would happen if I processed it in my normal black & white developer, Rodinal (actually ADOX Adonal, which is identical to the original AGFA formula), so I fired off a roll of the colour film followed by a roll of black & white film at the same ISO400 setting, which I processed in the same chemistry for comparison. Not only is it identical to processing black & white film but the fine grain and wide exposure latitude of C41 colour film is preserved in a black & white negative.ģ5mm colour print film can still be obtained in most city high streets, at least in the UK, and provides an available and low-cost alternative to regular b&w negatives for those willing to process and digitise their film. I have had promising results developing colour print film in standard black & white chemicals.
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